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A wise person once said on the internets:Admittedly, I am a fan of this type of garbage. Some might think - youre a Black woman, why would you read books like this? Well, I adore horror novels too, but I dont condone the slaughter of teenagers with chainsaws...Because of the sticky issue of race and a generation of the PC Thought Police, theres a little voice in the back of my mind that wants to have a valid and socially-approved reason for loving this genre so much. Theres no straw to grasp on the grounds of literary merit because there isnt a scrap of merit in it. Its trash, pure trash of the solidest gold. Stereotypes of blacks and whites alike abound, every plot twist and turn is motivated by either sex or violence, and the prose is either subpar or hangs slightly above average for the wink of an eye. But I eat this garbage up with a spoon.So thank you, anonymous person on the internets, for saying it straight out and making me wave that Falconhurst banner with a lighter heart. Does it mean that I long for the days of the Old South and slavery? Oh please. Whats wrong with loving literary trash? Nothing.And this book is pure trash, although it takes a while to get to the gloriously skeevy stuff that was first glimpsed (and then only done half-baked) in Mandingo. Its divided into 3 parts, each one about a tumultuous time span in the lives of 3 male slaves, all related by blood.Book 1: TambouraTambouras the brother of a tribal chief, but due to some jealous conniving, he finds himself aboard a slaver ship bound for Cuba. Once there, he gets involved with his masters white mistress, and things dont end well.Book 2: DrumDrum, son of Tamboura and the white woman, lives in his mothers whorehouse but thinks hes the son of her maid. An argument with a clients coachman proves that Drums an able fighter and he becomes a main attraction at the brothel: bare-knuckle brawling with any slave put up against him, and putting on public displays of his prowess with the quadroon whores for the amusement of the white dudes who come to drink, leer, and drool. But these salad days dont last forever.Book 3: DrumsonThe imaginatively named son of Drum is purchased by Hammond Maxwell (heres where the Mandingo connection comes in) and he becomes a valued slave in the Maxwell household. However, Maxwells horny daughter Sophie causes no end of trouble for any man within groping range. Maxwells own vendetta against two other slaves (a grudge carried over from the last book) helps ignite a slave rebellion that has a bunch of carcasses littered among the burnt-out ruins at Falconhurst.So, nothing redeeming in it whatsoever, but so hugely entertaining and absurdly addictive that the slow parts didnt seem that slow and when the action ramped up, the pages flew by. The first 80 pages were very similar to what Alex Haley did in Roots 14 years later, with depictions of village life and Tambouras capture and journey on the Middle Passage. If anything could be called serious and well-done, it is that first section.Then the horny white woman shows up and were off!Sex! Violence! Death! Violence! More sex! Lots more sex! Lots and lots of casual homoerotica! More violence! Decapitations and handjobs and bears, oh my!To this day I still dont know why I liked Mandingo so much. Compared to this book, its deathly dull with its repetitious dialogue and non-existant plot. Maybe if I tried to read it again, I wouldnt get through it. Thanks to a 1975 article I found in The Washington Post, I feel pretty confident in asserting that Lance Horner is probably the one to credit for giving the Falconhurst books some focus and pizazz. That elderly gay Bostonian eccentric (who allegedly mailed gay porno postcards to misogynist bachelor Kyle Onstott) took the reins of long-distance collaboration (they never met) and set the Mandingo saga on the trashy rails where it belongs. I salute you, sir!Gone are the pages upon pages of musings about rheumatiz and hot toddies and the ins and outs of slave breeding saying the same damn thing over and over, and instead are vivid descriptions of a New Orleans bawdyhouses attractions, a yellow fever epidemic, handjobbing mulattos, horny masters and mistresses and slaves, and brawling fights where nuts get grabbed and ears get chewed and wrists nearly get snapped off. Theres enough there that is pure Mandingo Onstott, but the zip and zing in this one can only be due to Horner and his rather quirky grasp of Southern gothic horror porno exploito-trash. Theres far more sex in this than in Mandingo, which was so fade-to-black that I never knew if anything was happening. Here theres no doubt, though still phrased coyly with terms like warmth and raging need and orgiastic ecstasy. But theres never any doubt whats going on and it happens often. In fact, sex is a motivator for nearly every character at one time or another to do really really stupid things. Its often thrown in simply for prurient reasons. And I wouldnt have it any other way in lit-ra-cha like this.And the gay element really stands tall and proud in this one. (Thank you, Lance. And this book was a featured selection in the Reading Club For Men in 1962. Wonder what some readers thought when they kept coming across those parts in between all the het stuff? Especially Drumsons Damn, its a guy with a hand on my dick! But Im excited! Hee!)Duh, these books arent for everyone. And I dont recommend them unless you know exactly what youre getting and are a-OK with just about any kind of WTFery that can get thrown at you. But for lovers of pulpy trash, theyre a must-read.Oh, and I should add that if youve seen the movie (as I have done oh so gleefully), the screenplay is a total mashup of the three stories. There are elements from each one that got smushed so the script would have one main protagonist.Which is better: book or movie? Ehh, I would say 6 of one, half dozen of the other. Theyre both cheesy and campy trash, although the movie does have the benefit of John Colicos (you Trek fans know who he is) playing a campy evil gay Creole and the awesome Warren Oates chewing up the scenery as a very crude Hammond Maxwell. Oh, and Pam Grier talking about her missuss titties. The lead, Ken Norton, has barely more thespian skill than a rock. How can you go wrong, I ask you. Its cinematic gold for schlock film fans.Read the book, then watch the movie. Or do the reverse. Theyre both gloriously bad in the best possible way.

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